Cathy Bird

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Fine Arts: Painter, Teacher, Poet

Contemporary English Poetry


A short selection of poems by Cathy spanning the last 3 decades.... (on the right, a picture of the cover of "Aeon", an anthology of poetry containing several poems by Cathy Bird)


Considering

Aeon is an anthology of poetry containing several poems by Cathy BirdWhen you take out your pain
In a formless palpitating mass
With jagged nerve-endings that
Retreat like snail horns
Look at it and consider it again
Until it forms a clear, cold egg
That you can hold in your palm
Then add it to your collection

One day you will take it down from the shelf
And find its brittle shell, dust on your hand
That you can blow away.

1975


Traps

Lead me out of the Wilderness, Brother
Lead me out of the Wild.

Grow me back my milk teeth, Mother
Milk me meek and mild.

Tear off the Trappings of Treason, Brother
Turn me the Coat of Truth,

Ring me the Dove of Reason, Brother
Sing me the Song of Sooth.

Quill me a Quiver of Quickness, Brother
Wend me the Way Within

Suck me the Source of the Sickness, Brother
Shed me the Skin of Sin.

Monk me the Habit of Horsehair, Brother
Harlot me out of the Hay.

Shred me the Shirt of the Shriven, Brother
Flog me the Penitent Flay.

Flap me the Feathers of Freedom, Brother
Harp me the Hymn of Cain.

Rock me the Rack of Redemption, Brother
Thumb me the Screw of Pain.

Conceive my Immaculation, Brother
Nun me the Coif of Grey.

Pyre me my Immolation, Brother
Drive me an Auto da Fe.

Hand me the Hammers of Heaven, Brother
Get me the Gongs of God.

Sign me up for Salvation, Brother
And stamp my Soul in the Sod.

1983


How could I leave you?

How could I leave you, Earth?

Your fading thistle
And the ambling, docile bee.

Your warm sun pooling,
Through the pattern of the tree.

And your mown grass scented
By the ragged sedges.

And your dry grass rustling
In the wind's caresses.

Space is cold loneliness
Whistling with emptiness.

How could I leave you. . .

Slow-smiling,
Soft-lying,
Breeze-sighing Earth?

22/7/83


An Ode to Kelly Holmes

Kelly Holmes, you golden Kelly,
How you turned our legs to jelly,
When we watched you on the Telly
Running for the Gold!

Kelly Holmes, what sweet surprise
In your half-believing eyes
"It's really true! It wasn't lies!
I have won the Gold!"

Kelly Holmes, you golden wonder
How you made that stadium thunder
When, without a single blunder
You won your second Gold!

If at first they don't succeed
Discouragement they never heed
Girls of Kentish Kelly's breed
They try and try for Gold!

Kelly, Britain's heroine,
You're our own Kentish Sporting Queen!
We'll be dancing on the village green,
When you bring home the Gold!

NOTE: This poem written during the Athens Olympics 2004, was read on BBC News after Kelly's spectacular Olympic Double Gold and published in the local press


Harvest Festival

Let us rise and walking gaze around
And let us listen for that soundless sound

Our eyes together search the ambient sky
For cloud-occluded lifetimes long gone by

And let our touching roam the roughing bark
To feel the faintest remnant of our mark

Let's place our feet with ultra-loving care
In indents where we danced when we were fair

And let us seek the settings in this loam
To pace the boundaries that once were home

And as we move once more towards our goal
Let's celebrate the harvest of the soul

Written at the Saint Hill European Arts Festival 2004


Below is a poem referencing Cathy Bird
by fellow artist Laury Dizengremel, shown here in the middle of the picture next to one of her sculpture students Clemency Scarfe-Beckett, who was also taught up to GCSE level by Cathy at Greenfields School (Forest Row, East Sussex).

Award winning sculptor Laury Dizengremel teaching Clemency Scarfe Beckett


A Poem about Rodin
for Cathy Roberts Bird
(Left-Aligned)

To have been taught by someone,
who was taught by someone
who was taught by Rodin
is my explanation for the clay pieces
that burst from my hands...
To have been taught to teach,
by my teacher (Martine)
and you Cathy, by example,
makes my students in turn
produce those works of art
that make you gasp, amazes them
and gives another twist
to the mystique of Rodin's legacy
and our creative power
to stand on our own feet
yet be imbued by masters
of yesterday - with pride.
March 1995 - Laury Dizengremel



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